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剧情简介
《season22》以特命系受一名女性之托，开始找人为开端。不久，那个神秘的人物，被判明和震惊日本的重大事件有联系。特命系进行危险的潜入搜查，但事件的深层潜藏着巨大的阴谋。
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- 6.0分
HD间谍过家家 代号：白 日语版
自康熙十五年一场巨大的水患之后，年轻的康熙帝设科开举招纳治河贤才，二十四岁的落第举子陈潢脱颖而出，长于治河。年轻的康熙帝不拘一格，将他简拔而出。陈潢与同样有志于治河的靳辅搭档，跨越半个世纪的栉风沐雨，历经了康熙朝几次大政治风波。年轻敢言的陈潢死于奸臣结党的污蔑之下，临死前留下治河名著——《河防述要》。康熙五十一年，台湾收复，准格尔平定，黄河安澜，河水转清。康熙帝探访扬州，见到了河神庙。庙中塑着靳辅、陈潢的像，仁人志士，遗爱自在民间。
- 3.6分
HD合伙吧少年
This would definitely not have been my kind of movie, but my husband saw it on TV and said it was really good. So, on his recommendation, I bought a copy, since I didn't know if it would ever be on TV again. I had never heard of anybody in it except Armand Assante. At first I had a hard time getting into the story, because the first part of the movie is a jumble of images-- and it doesn't make much sense. It is only later in the movie that it all comes together. The scene-cutting- if that's what it's called, is a bit jarring-- it sometimes looks as if a few frames have been cut out of each scene, and the scenes are jerky--but I guess that was done to add to the unusualness (if that's a word). The story veers here and there, and just about the time you have it all figured out, everything turns upside down and you have to readjust your thinking as to who is the bad guy and who is not. Or bad woman. The acting is very good-- I kept thinking how much Norman Reedus looks like Leo Decaprio. The ending was a real twist, totally unexpected, which I liked. A good show.
- 2.2分
HD双面女儿弑亲案
姜泰锡（崔民植 饰）曾是叱咤拳击界的拳击好手，却因为好赌而输掉了所有的财产更欠下了巨债。自此之后，他与妻子（徐慧琳 饰）儿子过上了十分艰难的生活。泰锡让途人暴打以换取生活费用，但妻子还是无法忍受如此困难潦倒的生活，要与泰锡离婚并带走儿子。顿时泰锡为自己的生命感到悲伤，想用自杀结束这让人窒息的一切。 但他的内心还是无法放下他钟爱的拳击事业，他要参加一次重大的拳击比赛，也因此认识了另一名参赛者柳相焕（柳承范 饰）。 相焕曾是一名小混混，不务正业。因为抢劫进入了少年感化院，在监牢里他仍不改好斗的个性。随后父亲与祖母的相继离去让他备受打击，拳击成了他生活中的唯一的慰藉，于是他参加了拳击赛，成为了泰锡最后的一名对手。
- 5.6分
HD德甲 弗赖堡vs法兰克福20240218
戴维（德鲁·傅勒 Drew Fuller 饰）就职于一家快递公司之中，个性老实的他暗恋着同事詹妮（唐佳·温泽尔 Tanja Wenzel 饰），詹妮亦对戴维情有独钟，可是，由于戴维的羞涩，两人之间的窗户纸始终未能捅破。一次偶然中，戴维目睹了一场车祸，一个名为劳拉（Alison King 饰）的女子上了戴维的车，她告诉戴维自己是一名警察，正遭到黑帮的追杀。然而事实真是如此吗？ 在莫名其妙之间，戴维成为了警方追捕的对象。原来，劳拉并非警察，而是一名杀手，很显然，警方将戴维当成了她的同伙。就这样，不断被劳拉嫁祸的戴维不得不开始了大逃亡，詹妮自愿跟随他，为他提供了很多帮助。不幸的是，一次意外中，詹妮被劳拉绑架了，劳拉希望戴维能够帮他杀一个警方的重要证人，以此来换取詹妮的命，在正义与爱情之前，戴维会如何选择呢？
- 1.4分
HD帮帮我托德 第二季
A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”
